
Back in the Real World – By Ed Turner and Cara Lopez Lee with Mark Graham Communications.
Last month on the blog, we talked about the various publishing models available to authors. As mentioned, deciding which model is right for you depends on numerous factors, including goals, budget, and timeline. Of the three basic models, traditional publishing generally takes the longest, especially if your goal is to publish with a large or midsized publisher. In part, this is because such publishers generally only work with agented authors. This means that before you can offer your book to a publisher, you’ll need to sign with a literary agent.
What, exactly, does a literary agent do? For starters, the term “literary agent” is a misnomer, because it implies that agents only represent fiction, and only literary fiction at that. In truth, agents represent all genres, from romance and thrillers to business books, memoirs, and more. Not every agent represents every genre. Careful research is required to find an agent who is a perfect match for your book and you.
Once you sign with an agent, the agent puts together a list of potential editors at publishing houses where they plan to pitch your book. During the pitch process, the agent often keeps the author informed about any declines that come in. While declines are disheartening, if an editor offers feedback, this can be invaluable if you decide to revise your materials (full manuscript for fiction or memoir; a proposal and sample chapters for most nonfiction) before your agent pitches it to another round of editors. When an offer is made, the agent negotiates the deal, reviewing the contract to ensure that it’s fair and favorable toward the author. The agent fields questions between the author and publishing team (editor, publicist, marketing staff, and so on). Agents also often pitch the book for subsidiary rights such as audiobook, film, and international publishing. Most agents take 15% commission on everything the author earns. Payment usually flows from publisher to agent, then from agent to author, with the agent taking their cut before paying the author.
While it might sound wonderful to have an agent “do it all for you,” it’s important to remember that the first step is finding an agent – and this can be a lengthy process. Moreover, agents will sometimes take on a project they feel has potential, but in general, they expect the author’s materials to be ready to send to editors. The onus is on the author to ensure they’ve written the best book possible, and that they’re only querying agents who represent their genre and seem like a good fit.
If you’re more interested in being published by a small or university press than a larger house, you might not need an agent. Small publishers and university presses often accept material directly from authors. If you decide to go this route, careful vetting is needed to ensure any publisher you pitch is reputable. Before you sign with a publisher, it’s also advisable to have your contract reviewed by an attorney familiar with publishing contracts, especially if you don’t have an agent advocating on your behalf.You can bypass the system by choosing to independently publish your book. Indie/self publishing requires an author to pay upfront costs and handle their own marketing and other tasks, but the process is much quicker and provides greater control.
The first question to ask yourself is whether your book is ready for publication. If you need help achieving this goal, our professional ghostwriters and editors can take your book from idea to polished materials, ready for pitching to agents or small publishers – or for you to bring into the world on your own, via indie publishing.
We’d love to discuss your book and goals. To set up a consultation, please get in touch!









